Cinders and Roots
Sunday 22 March 2020
Beds
Sheets laid,
Pillows pressed,
Plotted, spaced out
and listed.
A final check,
Masks at our necks,
Some seconds to pause-
All exhale.
The fair hall gone,
A hospital made,
In the breadth of a
breathless day.
How many bound?
Who can we save?
How much a bed
Looks like a grave.
Thursday 8 January 2015
Balsa in my Hand
Balsa in my hand
Your sandy palm,
Its splintered skin, a grainy papyrus
Of innumerable and
tendril lines,
Fissure etchings that
tell me
My favourite story,
Always warmly read
By the tracing
fingers of my hand,
That on each precious
line linger and
Caress the cherished
seashore fabric
Of your sandy palm,
balsa in my hand
Seehaus Day- Fueling a Biergarten
The working
day begins at 9 A.M. when I walk the incline in through the back gate of the staff
yard- the hidden engine room that powers Seehaus. Entering, I’m welcomed by the
large, filthy mouth of the refuse compressor fixed into the grotty yellow wall
face. Rows of equally filthy wheelie bins, sludge coloured, line up three deep
alongside like rotten molars. To their left towers of latticed plastic crates,
various sizes and bold colours, are stacked stacked together, climbing above
head height. Further along, the metallic door to the bar is open but its dark
inside, shutters still closed. The taps are dry and the tanks are dormant at
this yawning hour. By the door a stairwell runs into an enormous bunker, where
the supplies that fuel the whole operation are stored. This place is a haven on
the morning shift, offering the sanctuary of a prolonged hideout in the jacks
or a cheeky gobfull of Nutella in the pantry.
Beyond the
bunkers passageway, still on ground level, there are two doorways, one leading
to the grill, the other to the kitchen. Outside sits a decent sized table,
green in colour, and surrounded with matching benches. A sizeable parasol is
fixed through a hole in its centre point. Some of the early morning crew, half
snoozing and tenderly clasping the day’s virginal cigarette between their
mumbling lips, sit around the table propping themselves up on their elbows.
Clearing my throat I muster a morgen
(‘morning’) which is met with a tired, croaked chorus of morgen from my colleagues. A copy of Bild-Zeitung, gaudy sheets already scattered and wrinkled, provides
something to stare blankly at while the trauma eases up. After throwing my book,
tobacco pouch and company rain jacket into my locker and downing a glass of
cold water, I head back round the side of the bins, grabbing a rake from the
tiny tool shack on my way.
Tramping out
into the beer garden by the playground side, I never once fail to be sedated by
its early-morning beauty- hues of gold, yellow and bronze brushing softly onto
the lakefront, forever like a watercolour cheating reality. Hundreds of rows of
wooden tables and benches, the kind the teddy bears would picnic on, are spread
out tidily around the pebble decked ground. The first hour passes spaced out
floating through ripples of thought, as I rake rows and rows of gravel on
autopilot. Reflection upon reflection and nothing really shifts, except minutes
and cents in a plodding exchange, as all the littered receipts, napkins and
cigarette butts are dragged into tidy, archaeological piles. These artefacts of
the previous night’s revelry are promptly scooped onto a hefty shovel and
dumped into the gaping black hole of a bin bag.
Escape
Hidden off a side street by Karsplatz Stacchus, the surgery light
alleyway cuts through a hole in the buildings. Pull a double take again.
Could it be? Maybe we imagined it last time round. A solitary steel bar stool
stands empty outside a meat freezer door, across from the Turkish hairdresser’s,
which is shut after hours. Gaudy bouffant Europop hairstyles like shiny 90’s
football stickers are splashed on its muggy windows. The walls and ceilings are
bare in the alley, grey smudges showing up under the brightness of
the artificial pale yellow gleam. You can never decide if it's more indoors or
outdoors and though that’s mildly curious now, by early morning the duality of
open, nude sunlight and waxy kitchen flooring will fuck with your fragile mind.
Tug on the heavy door handle as if it’s that book in Bruce Wayne’s library and you hear the sucker pad
smacking as it pops open, infiltrating the space inside. Step in and we're
early, though the midnight hour's already been devoured. Three Middle-Eastern
heavies man the bar- diamond ear studs, black v-necks and swelling forearms,
folded over oil drum chests. Standing on a dormant dance floor that’s waiting
to erupt, we reacquaint with the surroundings. The catacomb ceiling hangs like
a giant spider belly above us, lifting your eyes to the metallic stairwell,
hugging the near side of the room, climbing upward. On opposite side, a wall
like a beehive melting in fire blaze curves along. Scarred with black flecks-
marker-tip scrawls attempting and inevitably failing to convey in words the
charming degradation of this place. Each a leap for permanence from another hand,
another fleeting someone striving to pitch their flag of conquer upon this
nowhere.
Round of halbe helles for the lads. Deceitfully light
liquid is gulped gratefully and we all eye each other
with scheming smiles, as if we all scored an invite
to the secret banquet. One or two eccenteric heads
are milling in every couple of minutes now. Get a scuzzy rollie
in while the tin fills up. Sit outside in the alley on the
shiny floor and compare tobacco brands, sniffing and sampling
like learned connoisseurs of the finest vino.
Conversation turns to argument turns to counter argument turns to sparring
turns to distraction turns to toilet humour. Then we're
all cleansed by the filth again and back inside we go. Suddenly it's
packed and we all act surprised, elevating the illusion of
unpredictably. The DJ's in his cave banging out an inimitable
setlist of everything from metal to girl pop to classic house.
Here the lads begin to split, spreading out in every
direction into the labyrinth. Up the stairs with banging giddy footsteps.
A tiny second floor plaza for a minor breather. The couch, flesh sunk into
it from a thousand drunken flings enmeshed, is so littered with sex and
sleaze it's as if its core structural parts were stiff
cocks, sticky fingers and bare buttocks. Further on two battered
jacks- Herr and Damen indeed. Interiors
like Fourth Division football stadiums; all torn-off logo stickers,
tacky bold panelling and shattered cheap frames. Mirror like a
river of lost souls. Toilet's splattered with hurried piss as
custodians rush their flow so not to miss a second of the triumphant seediness
and freakazoid bonhomie of the sweltering club below.
Cabin Fever
Standing,
the room feels upside down, a cabin aboard a ship sinking to the sea floor, and
I’m queasy and despondent. Finding Connolly’s sheets, they feel as if made out
of Crayola paste and I cling to them trying not to lose my grip. Dragging
myself along the bed, grimacing, through tobacco grains, human grease and
discount paperback lit. Crime and
Punishment. Can’t lift my head and I almost laugh remembering morning’s of
Connolly’s Stretch Amstrong bollocks spilling onto the bedsheets. In the end I only
groan. Jack and Bance just left for the 3pm shift and I’m whimpering for them
like a grounded puppy with worms. Tempted to cry. Didn’t want them to see me
cry but realise I wanted to cry just so they could see me capitulate and maybe
they’d have burst into infantile spasms of tears too. We’ve suffered an Exodus.
Turner’s Gondola. On ‘temporary leave for family reasons’ amongst the Venetian
waterways. Connolly’s flown back to Mullingar for his Granny’s 90th.
Tony and Calvin just bolted. Too soon, too soon I’d insisted but not anymore. I
just want to go home. To lie, foetal on the couch, with Mom watching shite
telly and complaining about shite chocolates, while my Dad’s complains about
shite telly and devours shite chocolates.
What the fuck had happened? This had been
forecast. The meltdown. Jacks neuroses have been made flesh and I can feel them
gnawing and slashing at my guts and liver and almost every other sentient part
of me. ‘The drink is a curse’, Bance solemnly prophesises. I’m in the throes of
the DT’s with no preacher for an exorcism. Realise I haven’t had two
consecutive days without a drink in over a month. Mass glasses clink in my head
and the impact is as shattering as anvils on dentistry. Soon I’m begging and
pleading but there’s no one listening. Bargaining with an invisible jury.
Overruled. Texts are fired at random targets and ‘message sending failed’ pings
on repeat. The room is perpetually dark and dank and it’s my fucking coffin.
Helped off the U-Bahn by a German pensioner couple. Lost my keys on the 100
metre walk from the station to the door and know I’ll never find them again. No
lenses, can’t see. Can’t hear anything clearly. Through the walls, the muffled
shifting of pots, mattresses, furniture. The lads will be back but don’t know
what time. Cabin fever.
I need a fag.
Hope I remember how to roll. Grope myself for that pouch of American Spirit
dust. Wek. Verloren. But it was there only seconds ago. You’re imagining it.
Stop please... I know, I know. Roll
over and smash onto the wooden floor. Frenzied hands sifting through hills of
dirty jocks, filthy socks and mustard mosaic smurf blue t-shirts. In the
ensuing maelstrom of cold perspiration almost every square centimetre of the
room is tossed up. The search party has failed. Hope is lost. Chest heaving, I
sit on the bed and moan in childlike confusion and pound my fist into various
points of my skull to distract from the headache. After a few minutes, I lean
back resigned to finally being the first of the lads to completely lose their
sanity in Munich, when suddenly I hear a crinkling. Opening my legs I see a
Native American Indian sternly staring up, half crushed beneath my arse. It’s
not quite sanity but it’s a small step back and I’m on the metal grid step loving
and hating every drag as it cuts my throat and dopes me. Watching the dark
lavender sky and the knotty pines loom like blurry totems, I lie on the
concrete and await rescue.
Oh, Phnom Penh
Through the
jets porthole, neck craned, my vision galloped across the land now not so far
below. Both lunar and tropical, barren and sunsprayed, the sounds of spectral
shovels and wheels battered against the earth, clattering in distant echoes.
Tuber skinned ground was painted sparsely, wearing scrub bushes, debris and
cracked branches. A thousand scrawny streams trailed into big stagnant puddles
of metallic looking water that lay thinly on the surface. The total absence of
wind hushed everything to photographic stillness while my mind went ‘click,
click, click’ again and again over this scene. At intervals, colonial mansionsappeared, windows boarded up, plywood planks peeling and roofs smashed.
Withered but once glorious, like consumptive empresses, they sat forlorn in
barren plots. Pastel colours of blue, green and pink, faded by the sun, hummed
a funereal lament for past glories, the
demise of French Indochina and the sinking of their Pearl of the Orient.
Wednesday 5 December 2012
Lost Track of the Time
‘Out on the Weekend’ by Neil Young
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